Biblical prophecy
Sweet Home appears as a residual object, surviving the recent transformations of contemporary society and its patterns of life, which is outlined as a refuge and which raises many questions about the relationship of the element of the river with life itself, with history, with memory, which aims to directly involve those who frequent these places. The appearance of the work evokes a terrible and extraordinary fable that has characterised our western education: the biblical tale of the ark that does not sail but floats in the fury of the universal flood. It is in this last decade, saturated with uncertainties and threats to our survival and the ecosystem, that the tale takes on a remarkable texture. If in the narrative of the Flood it is God who sends the punishment to man, today the biblical apocalypse could be at the hands of the powerful presence of man himself who is the cause of the alteration of the climatic and biological balance of the earth. One of the most feared consequences of climate change is the rise in the sea level: the changes would affect, to give just a few examples, Iceland, Polynesia, the northern countries and Venice, as well as the entire Po Valley, including Suzzara.
The story of Noah, with its prophetic biblical narration, is as if warning man of the impending disaster caused by man's overpowering nature: I will wipe from the face of the earth the man I have created, and with man also the cattle and the reptiles and the birds of the air, for I am sorry that I made them (Gen 6:5-7). Today, only the same man who caused the planet's agony will be able to avert the looming doom with a marked change in living patterns. Sweet Home is certainly not a solution. Its presence with its real functionality stands in the river habitat as a presence that speaks to those who do not stop at the simple, stereotypical approach to art. The functioning of Sweet Home is also a cultural function that wants to invalidate all traditional expectations and mercantile constructions of the art of the many and too many 'masters'.
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umberto@cavenago.info